Del Rey s Musical Style - 978 Words

Launching her start at local clubs around New York in her early adult years, Lana Del Rey began to make a name for herself. Born as Elizabeth Grant, she initially jumped around from many nicknames, such as May Jailer and Sparkle Jump Rope Queen, before settling on Lana Del Rey, which she chose because it reminded her of the coast of Florida. Highly influenced by artists from all genres, like Eminem, Bruce Springsteen, and Nancy Sinatra, Del Rey gains inspiration and incorporates her own sultry, seductive style through songs that effectively match with the characteristics of the indie pop genre. She conveniently fits into this genre largely due to her persona and her musical style. Del Rey’s musical style maintains a certain distinctiveness that brings life to the indie pop genre. Her songs habitually follow consistent themes, such as her infatuation with summer, her adoration of the ‘Lolita’ image, and her Americana pride. The genre itself is essentially comprise d of pop mixed with a relaxed and mysterious feel. â€Å"Indie† music is music that has a rare and distinguishing composition, while â€Å"pop† typically implies catchiness or comfortable listening. Also, it is typical for instruments to back the soft beats patented within the genre. Violins, for instance, can be heard in tracks like â€Å"Blue Jeans† and â€Å"Carmen†, both off of Del Rey’s 2012 debut album Born To Die. The genre is also big on the overall orchestral ambiance of the music, which can be heard in nearly every track.Show MoreRelatedA Short Note On The Great Gatsby By F. Scott Fitzgerald1278 Words   |  6 Pagesnatural process and transformation of other type of content (Martin, 2011). It is also called referencing an original idea that has previously been produced. In essence, it is to take an original work of art and turn it into a whole new idea or artistic style. The following essay will explore of how intertextuality is used in Baz Lurhmann’s â€Å"The Great Gatsby†. â€Å"The Great Gatsby† movie is based on a well-known book by F. Scott Fitzgerald’s, a well-known author that wrote American fiction. Maurer wroteRead MoreResearch: How did Cuba and Brazil Affect Popular Music, Culture and Dance in the 1940’s and 50’s?1305 Words   |  6 Pagesin the 1940’s and 50’s? A. Plan For Investigation How did Cuba and Brazil affect popular music, culture and dance in the 1940’s and 50’s? In this investigation I am going to establish what affects Cuba and Brazil had on popular music and dance. The first thing I’m going to do is discover how the music from Cuba and Brazil spread to America, the center of music. While doing my research I will be looking at what types of music were popular in Cuba and Brazil during the 40’s and 50’s as well asRead MoreCultural Industries in the Digital Age: Some Provisional Conclusions8715 Words   |  35 Pagesto domesticate the local repertoires of any country, to indigenize its production by establishing branches and even to bring about a decontextualized ‘globalized reconstruction’, such as ‘world cinema’, ‘world music’ and an international literary style (Garc ´a Canclini, 1999). Ä ± Nevertheless, concentration and commercialization bring about other farreaching muta tions in the selection of creative products and their consumption. This has attracted little attention, given its transcendent consequencesRead MoreOcd - Symptoms, Causes, Treatment131367 Words   |  526 Pagesby trained interviewers using a structured clinical interview (Brown, Di Nardo, Lehman, Campbell, 2001). Table 1.1 presents a summary of the DSM-IV-TR diagnostic criteria (APA, 2000). According to DSM-IV, a person must have either obsession(s) or compulsion(s) in order to have a diagnosis of OCD, and the vast majority of diagnosable individuals experience both types of symptoms (Foa Kozak, 1995). To qualify as an obsession, the thought, image, or impulse A Diagnostic Enigma TABLE 1.1. Summary